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【我们的节日春节】正月初五——迎财神_我的网站

一 |     Tarun Mansukhani recently brought the Kapoor family together in Dining with the Kapoors, a Netflix documentary that offers a glimpse into the lives of one of India's biggest film families. The Dostana and Housefull 5 director served as creative producer on the show, which was created by Armaan Jain.     In an exclusive conversation with Filmfare, he talks about how the private family welcomed the cameras into their home. He opens up about the emotional visit to Raj Kapoor's Deonar Cottage and reflects on the different worlds of stardom he has experienced, from working with Shah Rukh Khan, the Bachchans and now, the Kapoors.     Excerpts:     How did you come on board for Dining with the Kapoors?      Armaan and I have known each other for a while. He was supposed to assist me when I was trying to make Dostana 2. The film didn't happen, but we kept in touch. About four years ago, he approached me with the idea that he wanted to do something with his family and food. Back then, I didn't know the family as intimately as I do now to realise how important food was to them. We kept brainstorming over random ideas until Armaan said that he wanted to have one lunch with all the family members coming together and the camera shooting them.      My first reaction was, 'Good luck with that,' because I knew the family was very private. They don't like cameras coming into their personal spaces. Even Ranbir and Alia had a very intimate wedding. I wondered how Armaan intends to pull it off, but we decided to give it a shot. That's when the process of speaking to all the family members began. I sometimes accidentally call them actors, but eventually, you realise they are just Armaan's family. They all agreed without hesitation.      Was it a logistical challenge deciding who would be present for the shoot?     I don't think there was any Kapoor family member who didn't want to be a part of it. In a family that has always done this as a ritual, there was no thought of excluding anyone or avoiding certain members. The challenge was about dates. We asked everyone to give us 10 options and mixed and matched until we found one date that worked for all. After we got the family together, it was then about capturing the moments between them. It has come out well. After a point, they let go of the fact that the cameras were recording them.          What was your most surprising discovery about the Kapoor family?     I had a perception of what the Kapoor family would be like behind closed doors, and it was completely shattered. You often see them as big actors and stars but in reality, they are just a normal family. Reema Jain feels like multiple aunts of mine and Dabbu uncle (Randhir Kapoor) was like my uncles with his sarcastic remarks. How they interact with each other is how we are with our cousins. What shocked me the most was the normalcy within the family. Nobody was a big star at the table. Everything was just about being together and wasn't anything to do with the film industry.      How was the mood during the shoot?     It was a bit odd at first with the paparazzi waiting for you, making it feel professional. But you look around and realise it's all family. You are meeting, greeting and talking and suddenly you realise there is a camera. So it stops you in that moment from being yourself. But slowly, you start to go back into being who you are.      When Ranbir and others went into the kitchen, that wasn't scripted. Armaan was arranging everything on his own and the family just decided to help. Navya and Shaira were plating, somebody else was putting tadka somewhere or buttering naans. Everything was just moving. They are like a big mad unit together.           With the changing definition of stardom, how would you define a star now?     Everyone is trying to figure it out. Earlier there were clear markers of stardom such as fan frenzy, brand deals or box office hits. Today, with the way the world has changed, our perception of stardom is gone. There is no metric that has popped up for us to reevaluate. Today, everyone is a star and yet no one will ever be Mr. Bachchan, SRK or Salman Khan. I don't think we will ever see that kind of fan frenzy but there will be a redefinition of stardom. Then there will be a lot of other stars.      If you could create a Dining with the Kapoors style show again with another film family, who would you pick?     With the other Kapoors - Mr Anil Kapoor and his family. We are in talks for a second season and hopefully, will get to announce something soon.      Also Read: Exclusive:Tarun Mansukhani on Unbreakable Bond With Karan Johar & Priyanka Chopra’s Desi Girl Legacy。    新春携瑞，福满人间          大年初五，迎财神          财神到，好运来          财富滚滚，事业翻倍          福禄双全，幸福美满          恭贺蛇年新春                    接财神          接财神是中国民间古老的传统节日习俗。因为中国民间传说正月初五是财神的生日，所以过了年初一，接下来最重要的活动就是接财神，在财神生日到来的前一天晚上，各家置办酒席，为财神贺辰。                             迎财神          迎财神盛行于明清和民国时期，财神分为文财神和武财神和君财神。文财神是比干，武财神是赵公明和关羽，君财神是柴王爷。文财神”财帛星君，也称“增福财神”:他的绘像经常与“福”、“禄”、“寿”三星和喜神列在一起，合起来为福、禄、寿、喜、财。财帛星君脸白发长，手捧一个宝盆，“招财进宝”四字由此而来。一般把财帛星君画像供奉于正厅，祈求财运、福运。         新岁携福至                              巳巳如意，恭贺新春                    送五穷          “五穷”也叫”五鬼”。指”智穷、学穷、文穷、命穷、交穷”等五种穷鬼。这一天，人们黎明即起，放鞭炮，打扫卫生。

二 | 鞭炮从房间里往门外边走边放，将不吉利和妖魔鬼怪都轰将出去。打扫卫生是一种彻底的大扫除，从每间房屋里把垃圾扫出门外，等到垃圾扫出大门，鞭炮也从屋里放到了屋外，拿一个极大的爆竹，放在垃圾堆上燃放，预示着一切穷气穷鬼都给赶跑了!福、快乐、健康，好运、平安，统统迎进家门口，喜气洋洋过大年，开春工作更积极，生活顺心每一天，全家健康到永远。         放鞭炮          正月初五，家家户户都会放鞭炮，以此驱赶不吉利的事物，包括晦气和妖魔鬼怪，同时也象征着将一切不好的东西从家中抛出。

三 |          大扫除          由于春节期间的禁忌，如避免打扫卫生以防扫走好运，到了正月初五，即所谓的“破五”，人们会进行彻底的大扫除，将家中的垃圾和废物清理掉，以迎接财神和新年的好运。         吃饺子          寓意招财进宝、富贵吉祥，也有的地方吃饺子是为了解除过去几天积存下来的晦气。                             禁忌小提示                              ①忌串门          避免将穷气带到亲戚邻里家。         ②不吃莲藕          莲藕有很多孔、意味着“漏财”。         ③不拜年          上门拜年意味着去“抢财。         ④不梳头          好财运从头开始，梳头发时会掉头发。                   2025 HAPPY NEW YEAR          巳巳如意 灵蛇贺岁          财神到，富贵到；          财神到，祥瑞到。         大年初五迎财神，开启一年好运程。         点点幼儿园          祝每个家庭和和美美；          每个孩子健康成长，活泼快乐！                    图文均来自网络                    点点家。

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Published on:09:11:28